New theatre production
Where the Sound Remained
A post-apocalyptic music theatre piece about self-worth, the inner voice and the courage to remain yourself. One night in a dark auditorium — and a journey to the place where the sound never left.
About the programme
A world after the catastrophe — and the person inside it
The piece is set in what is left of the world after a catastrophe, where the ruins of civilisation are wrapped in darkness, silence and uncertainty. A faint light glows in the distance, an old generator hums, and the characters — having met a mysterious Guide — begin a journey through their fears, doubts and the things they carry from the past.
Here the post-apocalyptic setting is a mirror of an inner state. Once the outside world has lost its ordinary sound, the characters are forced to hear what has been kept hidden inside them for a long time.
Am I enough when nobody is applauding?
The question nobody in the piece says out loud
Structure of the piece
Crossing the hall
Over one night the characters cross a dark auditorium – from the first wall to the generator at the far end. Every part ends in a song, and the scenes from the past come back through visuals: the memories are shown rather than told. Music here is a form of action, not a backdrop.
Programme preview video
Where the Sound Remained
Why it matters
Why it works on stage
- Music here is a form of action rather than a backdrop: every part ends in a song, and it is the songs that carry the dramatic turns.
- The subject is universal and carries no cultural barrier — burnout, self-worth, the hunger for someone else's gaze. It is spoken plainly, with no therapeutic jargon.
- The stage language is spare and strong: darkness, a single lamp, fire, soundscapes and visuals for the memory scenes. The closer the audience sits, the harder the piece lands.
Format and technical needs
Running time — about 60 minutes, no interval.
Three performers on stage; six original songs.
A lean technical setup: darkness, a focused light, a sound system and video projection for the memory scenes.
Suited to a culture centre hall, a studio theatre, a festival venue or a black box.
Dates and terms are agreed individually; the technical rider comes with our offer.
Audience
Who it is for
Bring Where the Sound Remained into your season
Send the preferred date, city and venue — we will reply with the right format, the technical requirements and a preliminary quote.
Request bookingFrequently asked questions
What kind of venues does it suit?
The piece was built for a chamber space: a culture centre hall, a studio theatre, a festival venue or a black box. It needs no complex lighting rig and no stage machinery; it needs darkness, a focused light, a sound system and the ability to project video. We send the technical requirements with our offer.
How long is it and who is on stage?
About 60 minutes with no interval. Three performers. The spine of the piece is six original songs: every part ends in a song, and the songs carry the dramatic turns. The scenes from the past are revealed through visuals.
Does it work for younger audiences?
Yes. Self-worth, the need for recognition and the fear of not being accepted speak directly to younger audiences, which makes the piece a good fit for youth events and festival programmes. We recommend it from age 14.
Can we see the technical rider and video material?
Yes. Send the preferred date, city and venue with your enquiry and we will send the technical requirements, video material and a preliminary quote. There is no obligation.
Can the piece be performed for an international audience?
The subject carries no cultural barrier — it needs no knowledge of Lithuania to land. For performances abroad and for language options, get in touch and we will discuss it individually.
Booking
Event enquiry
Send the date, city, venue, audience profile and preferred programme. We reply with the right format, technical needs and a preliminary quote.